| AUTHOR: without signature |
| CHARACTERISTIC: a manual of 45 notes with base of eight
feet, two play of cords to the unison with registration and extension DO-do3
with eighth cuts. |
| DIMENSIONS: long 1747, wide 672, high 200, in
millimeters. |
| COMPLEMENTS: external box of pine, painted, with cover
and craft hardware; music stand and original key to tune up . |
| WOODS: harmonic Cover of pine abet, bridges and pins of
walnut, sides of maple, fund and structure of pine, Harpsichord board with
frame, keyboard of sycamore, covers of boj and semitones of painted walnut.
|
This instrument surely belonged to some of the few and
important families “napolitanas” that migrated from Naples toward Genoa in the
XVI century because of the continuous wars at that time. It should have
remained during centuries without anyone playing it. Is very surprising the
state of conservation, it has not been modified to adapt it to the subsequent
musical needs as was done with almost all the primitive Harpsichord and it
still has the original music stand and key to tune up. We believe, is the
only case. Some Harpsichord of that time can be found but they are so
deteriorated. One of them is in the collection of the Musical Museum of
Instruments of the Castello Sforzesco at Milan where there is a Harpsichord done
by the same builder that this, but less luxurious, without box and that has been
impossible to restore.
This was bought at the beginning of the XX Century by an
Argentinean, Alejandro Bianchi in Carcano in the "Stabilimento Musicale Master
Enrico Kanz" of Santa Marguerita Ligure, Italy. It has been in his house of
Cordoba in decorative function till 1990 in which passes away and its heirs sell
it me. I’ve done the minimum repairs that requires and I put it available to
the local needs for the interpretation of the Old Music as is called generic
(Early Music). It was used for the record of a CD of music for harpsichord of
Domenico Zipoli, and used in two operas from Claudio Monterverdi in the Colon
Theatre of Buenos Aires and numerous concerts.
1. The investigation and organic classification was
carried out for the curator of the August Bonza collection from Milan,.
2. These data are technicians
but necessary for the understood.
Manual means Harpsichord board. In that
Harpichord epoch and organs had one only.
Eight feet refers to the eighth one more lowers.
To play unison means that each note has two cords,
as in the mandolins.
Registration is the mechanism that permits the
interpreter to select the play of cords. Eighth it cuts is a disposition of the
eighth one more lowers by the one that less cords were put, using the
Harpsichord board that would correspond to them maintained for the white. This
it is really extraordinary and we believe that unique.
Besides it permits to determine the original tuning because
in the epoch was used the Harpsichord to determine the gave striking it hanging
of a thread.
Spanish: Clave. Italian: Clavicenbalo English:
Harpsichord German: Cembalo: French: Clavecin. Flamenco: Klavicimbel.